论男性叙事下女性话语表达:对爱丽丝·默多克《大海啊,大海》女性主义解读-科技

摘要:爱丽丝·默多克是二战后著名的英国作家和哲学家,由于她的小说多关注哲学、、艺术等主题,对她小说的探讨大多以哲学的角度进行展开,尤其是关注她对追求“善”的哲学思想。虽然她小说中采取的第一人称男性叙事手法也引起了很多评论者的关注,但评论基本都只是针对其叙事技艺,鲜有文章对这一类小说所表达的女性主义思想进行探讨。

    ACKNOWLEDGEMENTS5-6

    中文摘要6-7

    ABSTRACT7-9

    1. Introduction9-15

    1.1 Iris Murdoch and The Sea,the Sea9-11

    1.2 Literature review11-13

    1.3 Focus and structure of the thesis13-15

    2. The Male Narrator'sVoice and Female Voices15-27

    2.1 The male narrator's character15-21

    2.1.1 Jealous16-17

    2.1.2 Possessive17-18

    2.1.3 Self-centered18-19

    2.1.4 Fanciful19-21

    2.2 The narrator's interference with female voices21-27

    2.2.1 Submergence21-23

    2.2.2 Interruption23-25

    2.2.3 Distortion25-27

    3. Female Voices Breaking Out of Male Narration27-41

    3.1 Voices of accusation27-33

    3.1.1 Accusing Charles of disturbing their pves27-29

    3.1.2 Accusing Charles of jilting them29-32

    3.1.3 Accusing Charles of abusing power32-33

    3.2 Voices of critici33-37

    3.2.1 Criticizing Charles' judgment of marriage34-35

    3.2.2 Criticizing Charles' attitude towards love35-37

    3.3 Voices of persuasion37-41

    3.3.1 Persuading Charles to abandon male-centric fantasy37-38

    3.3.2 Persuading Charles to see and respect woman's "otherness"38-41

    4. Conclusion41-43

    Bibpography43-44

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